Call Me By Your Name Kino Berlin Programmkino am Ostkreuz
Call Me By Your Name. Italien, Frankreich, Brasilien, USA Der jährige Elio verbringt den Sommer mit seinen Bildungsbürger-Eltern in Norditalien und. Neu im Kino: Ein sommerlich leichtes Liebesdrama von Luca Guadagnino nach einem oscar-prämierten Drehbuch von James Ivory. Jetzt im Kino Zukunft. CALL ME BY YOUR NAME. Spieldauer: Min. Beschreibung. Wir sagen: einer der schönsten Filme des Jahres! Ein heißer, sonnendurchtränkter Sommer auf. Call me by your Name. FSK 12 Minuten | Drama | Start: | Italien Erlesenes Drama um die sexuellen Erweckung eines jungen Mannes in. Tuesday – I Call Me by Your Name. Tue // VENUE: Insel Berlin. Gefühlte Gravitation: "Call Me By Your Name" ist die beste Liebesgeschichte zweier Männer seit „Moonlight“. Das vierfach für den Oscar. Wo: Freiluftkino Kreuzberg | Wann: Samstag, 1. Juni
Call Me By Your Name Kino Berlin Please select a venue Video
CALL ME BY YOUR NAME Trailer German Deutsch (2018)Dabei sind sie grundverschieden, nicht nur physisch. Elio ist noch ein Teenager, smart aber in Gefühlsdingen unbeholfen, während Oliver ein Selbstbewusstsein weit über sein Alter hinaus aufweist.
Der Impuls der Annäherung aber geht eindeutig von Elio aus, auch wenn zunächst nicht klar ist, ob er ihn ihm mehr einen Liebhaber oder ein Vorbild sieht.
Allein die Szene, in der Elios Vater Montaigne zitiert, um mit seinem Sohn über dessen besondere Freundschaft zu Oliver zu sprechen, ist ein solch authentischer und berührender Moment, dass er schon jetzt ein Filmklassiker ist.
Original versions OV. Anmelden Registrieren Hilfe. Toggle Navigation. Tickets Direkt zur Kinokarte! The director tried to avoid the flaws he had seen in most coming-of-age films , where growth is often portrayed as being a result of resolving preconceived dilemmas such as an enforced choice between two lovers.
It was important to me to create this powerful universality, because the whole idea of the movie is that the other person makes you beautiful—enlightens you, elevates you.
The producers contacted Guadagnino, their first choice to direct, but he declined, citing a busy schedule. The screenplay was completed in late Ivory stepped down from a directorial role in , leaving Guadagnino to direct the film alone.
It might take longer, it would look terrible if we got in fights on the set, and so on. The film differs from its source material in several ways.
It is written in flashback, from Elio's perspective. The filmmakers set the movie entirely in to help the audience understand the characters, believing that this approach would allow them to remain true to the spirit of the book.
In his words, Guadagnino chose "the year—in Italy at least—where the '70s are killed, when everything that was great about the '70s is definitely shut down," but also a time when the characters could be "in a way untouched by the corruption of the '80s—in the U.
Guadagnino was tempted to remove the scene in which Elio masturbates into a pitted peach, finding it too explicit.
To their surprise, it worked, so Guadagnino shot the scene and ultimately included it in the film. It was inspired by Jonathan Demme 's Something Wild , and Guadagnino's experience of dancing by himself when he was young.
When he was revising Ivory's draft of the script, Guadagnino removed the voice-over narration and much of the nudity. Perlman's speech but was committed to keeping it in the script.
Cinema can be an entirely magical medium. What I do as a writer, and what Guadagnino does as a film director, is more than speak two different languages.
What I do is chisel a statue down to its finest, most elusive details. What a film director does is make the statue move. Many of the changes to Ivory's screenplay were made during the filming; the screenwriter was not present at the shooting set.
Ivory said he got along with LaBeouf, who had read for the film in New York City, but the production company later felt the actor was unsuitable after his "various troubles".
Guadagnino was impressed by Armie Hammer 's performance in The Social Network , [11] [44] describing him as a "sophisticated actor, with a great range".
But there's no way I can't do this [film], mostly because it scares me so much. Edgar and Final Portrait In , Swardstrom—Spears' husband and agent—introduced Chalamet to Guadagnino, [11] [19] who immediately felt the actor had "the ambition, the intelligence, the sensitivity, the naivety, and the artistry" to play Elio.
Michael Stuhlbarg , who was cast as Elio's father, Mr. Perlman, [54] [58] did not read the book until he had already joined the production.
Perlman as having a "sense of generosity and love and understanding". Guadagnino chose Amira Casar , whom he had known for twenty years, for the role of Elio's mother Annella.
Capriolo, who was not an actor, was chosen to play Mafalda, the Perlmans' maid. So comfortable, not nervous at all. His wife was sitting there and said, 'I had no idea!
Hammer and Chalamet both signed contracts prohibiting the film from showing them with full-frontal nudity.
Ivory, whose original screenplay contained nudity, was dismayed by the decision. He criticized what he saw as an "American" attitude, saying, "Nobody seems to care that much or be shocked about a totally naked woman.
It's the men. The main location set for the Perlmans' residence was Villa Albergoni , an uninhabited 17th-century mansion in Moscazzano.
Guadagnino did not want the film to be a period piece and tried to resist making a film that would reflect "our idea of the 80s".
His goal was an accurate recreation of the period that was invisible to the viewer. Di Modrone said, "That made it cozy and personal I wanted to give it the sense of time passing by".
The filmmakers set up faded political billboards in public places to reflect the Italian general election in [62] and re-created a newsstand full of magazines of that time.
Perlman's desk. Costume designer Giulia Piersanti avoided using period costumes; instead, she wanted to provide "a sense of insouciant adolescent sensuality, summer heat and sexual awakening" to the characters.
For Oliver's "sexy, healthy American" image, Piersanti referred to "some of Bruce Weber 's earliest photographs". Principal photography began on May 9, , and wrapped in June , [53] [71] [72] lasting around 33 days.
The arch of Torrazzo at Crema Cathedral and several historical locations in the streets of Crema and Pandino were chosen during production.
Before and during filming, the actors lived in Crema and were able to experience small-town life. Luca was able to look at me and completely undress me," Hammer said.
The Villa Albergoni. The arch of Torrazzo at the Crema Cathedral. The Piazza Vittorio Emanuele in Pandino.
Cascate del Serio. The Station of Pizzighettone. Guadagnino shot the film in chronological order, [31] [89] which allowed the filmmakers to "witness the onscreen maturity of both protagonist and actor", according to Fasano.
Perlman delivers an emotional speech to Elio was filmed on the penultimate day of filming. At the Piazza Vittorio Emanuele, [85] a memorial to the victims of the battle of the Piave in Pandino, [40] the filmmakers laid a long camera dolly track to film the scene where Elio tells Oliver of his feelings for him in a single long take.
This provided the flexibility and "flow of emotion" a cut scene could not. Sayombhu Mukdeeprom , who had previously collaborated with Guadagnino on Ferdinando Cito Filomarino's Antonia , served as the director of photography.
Guadagnino, who had previously worked with Laforce on A Bigger Splash , said he was "able to create a sort of Cathedral of sound without overwhelming the movie.
Fasano collaborated with Guadagnino during the post-production. Their first cut of the film ran three hours and 20 minutes long. Several notable changes were made, or almost made, near the end of post-production.
The monologue sequence with Elio's father once had piano playing beneath it. The scene where the two protagonists bike to a courtyard almost failed to make the final cut after one of the producers said it was inconsequential.
There was a "well-acted" scene where Elio and Oliver were "teasing one another" under a lime tree, which the director felt was "too precious".
Guadagnino selected the music for Call Me by Your Name himself. Impressed by the lyricism of American songwriter Sufjan Stevens , [19] Guadagnino asked him to record an original song for Call Me by Your Name and to narrate the film from the perspective of Elio at an older age.
Surprised by the result, Guadagnino listened to them on-set with the actors and editor Walter Fasano. A soundtrack album was released in digital formats by Madison Gate Records and Sony Classical on November 3, , [] and in physical formats on November 17, Warner Bros.
Entertainment released the film in Italy on January 25, In the week ending November 30, , the song collected , on-demand streams, its biggest streaming week in the U.
Reaction to the advertisement on social media was somewhat negative, largely because of Sony Pictures' misleading use of an image of Chalamet and Garrel instead of a focus on the protagonists' relationship.
Ty Burr of The Boston Globe gave the film three-and-a-half stars, commended the director for "broaden[ing] his embrace of humanity while hitting new heights of cinematic bliss" and said that the film "may be a fantasy but it's one that's lovely and wise.
The Economist noted the tension "between pain and pleasure" in the film and praised Chalamet, saying that he "evokes so many shades of humanity, portraying a path of youthful self-discovery that is more raw, unhinged, and ultimately honest than many actors could manage".
It never gets over that hesitation. Thompson of Forbes criticized its length and called it an "excruciatingly boring travelogue".
In a series of articles regarding the best of the s in film , IndieWire ranked Call Me by Your Name as the 18th best film of the decade and Chalamet's performance as the 39th best acting performance.
Guadagnino has deliberated over the idea of a sequel since the film's premiere at Sundance, when he said he realized the characters "could go beyond the boundaries of the film.
Guadagnino said that in the sequel, "I don't think Elio is necessarily going to become a gay man. He hasn't found his place yet I believe that he would start an intense relationship with Marzia again.
Guadagnino has expressed interest in the politics of the s, saying, "It is the time of the fall of Communism and the start of the new world order and so-called ' end of history ' that Francis Fukuyama established then But I don't know how they're going to get a year-old [Chalamet]!
In January , Guadagnino revealed the sequel will be set "right after the fall of Berlin Wall and that great shift that was the end of So we are flirting with each other about the sequel but I don't know if we are very serious.
He expressed enthusiasm to reprise his role in the sequel, saying "I think it would have to be some kind of unique thing from what it was, but I would absolutely be game for trying.
In an interview for Time in October , Chalamet compared the sequel to Richard Linklater 's Boyhood and said that Hammer, Aciman and Guadagnino were all intended to return for the next film.
He described her character as "a New England kind of hoochie woman" who might also have children with Oliver.
I didn't have space of mind and the real, actual time to put ideas on the table and think of things. And so I think it's not the time to collect it and put it into a vase.
In November , Ivory confirmed that he wouldn't return for the sequel and said that Aciman thought "it was not a good idea".
He also felt the potential sequel might not match the expectation, saying "It felt like a really perfect storm of so many things, that if we do make a second one, I think we're setting ourselves up for disappointment.
I don't know that anything will match up to the first I'm like, 'That was such a special thing, why don't we just leave it alone? In March , Guadagnino confirmed a sequel film in an interview with Italian newspaper la Repubblica.
He also stated in the interview that he was due to meet with an unnamed American writer to discuss the sequel, however it was postponed due to the COVID pandemic.
I haven't even read the book. I know Luca hasn't got a full script yet, although he knows what he wants to do with the story, so I don't know how similar or dissimilar it will be to Find Me the novel.
From Wikipedia, the free encyclopedia. Theatrical release poster. Entertainment Water's End Productions. Pictures Italy Memento Films International worldwide.
Release date. Running time. Italy United States France Brazil [2] [3]. English Italian French [4]. Grottoes of Catullus.
Map of filming locations in Lombardy. See also: Find Me novel. Perlman's full name is mentioned in the film as Samuel Perlman.
I go back to Bordighera all the time". British Board of Film Classification. Archived from the original on 7 November Retrieved 4 November British Film Institute.
Archived from the original on April 1, Retrieved April 3, Archived from the original on February 24, Memento Films International.
Archived PDF from the original on December 8, Retrieved December 1, The New York Observer. Archived from the original on February 14, Retrieved January 25, Box Office Mojo.
Archived from the original on August 27, Retrieved September 29, Los Angeles Times. Archived from the original on January 22, Retrieved July 2, ANSA in Italian.
Archived from the original on February 25, Retrieved February 14, USA Today. Park City, Utah. Archived from the original on October 23, Retrieved October 17, The Irish Times.
Archived from the original on October 22, Retrieved October 19, Archived from the original on August 18, Retrieved October 6, The Playlist.
Archived from the original on November 2, The Guardian. Archived from the original on May 16, Retrieved January 23, Archived from the original on October 17, Archived from the original on February 18, Retrieved May 8, Archived from the original on January 16, Retrieved January 16, Archived from the original on October 31, Archived from the original on February 3, Retrieved October 11, The Film Stage.
Archived from the original on January 19, The Hollywood Reporter. Archived from the original on March 6, Retrieved March 6, Archived from the original on December 29, The Desert Sun.
Retrieved May 2, Road to Oscar Archived from the original on June 15, Retrieved February 21, Creative Screenwriting.
CS Publications. Archived from the original on August 9, Retrieved May 15, Toronto, Ontario: Mongrel Media. Archived from the original PDF on October 28, Archived from the original on October 7, Panorama in Italian.
Arnoldo Mondadori Editore. Archived from the original on January 27, Retrieved January 26, Archived from the original on December 1, Retrieved November 8, Archived from the original on October 18, Retrieved January 19, Archived from the original on November 28, Retrieved November 27, Archived from the original on December 26, Retrieved December 25, Archived from the original on March 20, I watched the film last night.
Elio is 17, undoubtedly a minor. Did we all watch and like a movie that presented us a clear example of pedophilia? Your email address will not be published.
Save my name, email, and website in this browser for the next time I comment.
Call Me By Your Name Kino Berlin Call Me By Your Name Video
Call Me By Your Name • full length audiobook • author: André Aciman • narrated by Armie Hammer
Call Me By Your Name Kino Berlin Do • 17.10.19 • 20:30 – 23:30 • KINO Video
Armie Hammer guides us through the Call Me By Your Name waterfall scene - British GQ Wo: Freiluftkino Friedrichshain | Wann: Freitag, August Die Romanze "Call Me By Your Name" gehört für uns zu den schönsten Filmen der letzten Jahre. Heute könnt ihr euch den Streifen im Open Air Kino auf der. Call Me by Your Name ist ein Spielfilm von Luca Guadagnino aus dem Jahr . Das romantische Drama basiert auf dem erschienenen gleichnamigen.Schon der erste Blick vom Balkon spricht Bände, auch wenn sich Elio nichts anmerken lassen will. Bis dahin hat der Jährige den Sommer mit seinen Bildungsbürgereltern in einer alten Landvilla in Norditalien verbracht und langweilt sich ein wenig auf dem riesigen Anwesen, wenn er nicht gerade an Neuinterpretationen klassischer Musikstücke werkelt.
Das ändert sich jedoch schnell, als der neue Assistent seines Vaters anreist, der ihn den Sommer über bei seiner Arbeit als Archäologieprofessor und Kunsthistoriker unterstützen soll.
Oliver, ein selbstbewusster jähriger Amerikaner, erinnert selbst ein wenig an die antiken Statuen, die Professor Perlman studiert.
Und er ist ein heller Kopf, der nicht nur den Eltern gefällt, sondern schnell auch Elio. Mit seiner Jugendfreundin Marzia verbindet ihn eine flirtiges Verhältnis, das auch deutlich körperlich wird.
Zugleich fühlt er sich von Oliver angezogen, beobachtet ihn mit verstohlenen Blicken am Pool, wo der amerikanische Adonis in Badeshorts schwelgt, und ersetzt Marzia immer mehr durch ihn als sexuelle Fantasie.
Eine sinnliche Sommerromanze, die in jedem Moment den richtigen Ton trifft Es passiert lange Zeit nicht viel, die beiden Jungs umkreisen sich, ohne mehr zu wagen.
Call Me by Your Name was financed by several international companies, and its principal photography took place mainly in the city and comune of Crema, Lombardy , between May and June Cinematographer Sayombhu Mukdeeprom used 35 mm film , as opposed to employing digital cinematography.
The filmmakers spent weeks decorating Villa Albergoni , one of the main shooting locations. Guadagnino curated the film's soundtrack , which features two original songs by American singer-songwriter Sufjan Stevens.
The film began a limited release in the United States on November 24, , and went on general release on January 19, It received widespread critical acclaim, particularly for Ivory's screenplay, Guadagnino's direction, and the performances of Chalamet, Hammer, and Stuhlbarg.
The film garnered a number of accolades , including many for its screenplay, direction, acting, and music.
It is the summer of Elio , a year-old Jewish-Italian, lives with his parents in rural Northern Italy. Elio's father, a professor of archaeology, invites a year-old graduate student, Oliver, who is also Jewish, to live with the family over the summer and help with his academic paperwork.
Elio, an introspective bibliophile and a talented musician, initially thinks he has little in common with Oliver, who has a carefree and exuberant personality.
Elio resents having to give up his bedroom to Oliver for the duration of his stay, and spends much of the summer reading, playing piano, and hanging out with his childhood friend, Marzia.
Meanwhile, Oliver admits being attracted to one of the local girls, much to Elio's annoyance. Elio and Oliver swim together, go for long walks into town, and accompany Elio's father on an archaeological trip.
Elio begins a sexual relationship with Marzia and brags about it in front of Oliver to gauge his reaction, but nonetheless finds himself increasingly attracted to him.
During a trip to the local post office, Elio indirectly confesses his feelings to Oliver, who tells him he should not act on them. Later that day, the two kiss, but Oliver is reluctant to go any further.
They grow distant. In response to a note from Elio, Oliver leaves a message on his desk suggesting they meet at midnight. Elio spends the day with Marzia, but longs to see Oliver.
At midnight, he approaches Oliver and their rendezvous results in the two sleeping together for the first time. They become more physically and emotionally intimate in the days that follow, frequenting sexual encounters while still keeping their relationship a secret.
One day, in bed, Oliver says to Elio, "Call me by your name and I'll call you by mine. As the end of Oliver's stay approaches, he and Elio both find themselves overcome by uncertainty and longing.
Elio's parents, who are privately aware of the bond between the two but do not address it openly, recommend he and Oliver visit Bergamo together before Oliver returns home to the U.
They spend three romantic days together. Elio, heartbroken after Oliver's departure, calls his mother and asks her to pick him up from the train station and take him home.
Marzia is sympathetic to Elio's feelings and says she wants to remain friends. Elio's father, observing his deep sadness, tells him he was aware of his relationship with Oliver and confesses to almost having had a similar relationship in his own youth.
He urges Elio to learn from his grief and grow, instead of just moving on too quickly. During Hanukkah , Oliver calls Elio's family to tell them he is engaged to be married.
He tells Elio that he remembers everything very clearly. After the call, Elio sits down by the fireplace and stares into the flames, tearfully reminiscing, as his parents and the house staff prepare a holiday dinner.
The movie ends when Elio, still seated by the fireplace and now appearing to be more content, throws a glance into the camera as his mother calls for him.
Guadagnino has described Call Me by Your Name as a family-oriented film for the purpose of "transmission of knowledge and hope that people of different generations come to see the film together.
The director tried to avoid the flaws he had seen in most coming-of-age films , where growth is often portrayed as being a result of resolving preconceived dilemmas such as an enforced choice between two lovers.
It was important to me to create this powerful universality, because the whole idea of the movie is that the other person makes you beautiful—enlightens you, elevates you.
The producers contacted Guadagnino, their first choice to direct, but he declined, citing a busy schedule. The screenplay was completed in late Ivory stepped down from a directorial role in , leaving Guadagnino to direct the film alone.
It might take longer, it would look terrible if we got in fights on the set, and so on. The film differs from its source material in several ways.
It is written in flashback, from Elio's perspective. The filmmakers set the movie entirely in to help the audience understand the characters, believing that this approach would allow them to remain true to the spirit of the book.
In his words, Guadagnino chose "the year—in Italy at least—where the '70s are killed, when everything that was great about the '70s is definitely shut down," but also a time when the characters could be "in a way untouched by the corruption of the '80s—in the U.
Guadagnino was tempted to remove the scene in which Elio masturbates into a pitted peach, finding it too explicit.
To their surprise, it worked, so Guadagnino shot the scene and ultimately included it in the film. It was inspired by Jonathan Demme 's Something Wild , and Guadagnino's experience of dancing by himself when he was young.
When he was revising Ivory's draft of the script, Guadagnino removed the voice-over narration and much of the nudity. Perlman's speech but was committed to keeping it in the script.
Cinema can be an entirely magical medium. What I do as a writer, and what Guadagnino does as a film director, is more than speak two different languages.
What I do is chisel a statue down to its finest, most elusive details. What a film director does is make the statue move. Many of the changes to Ivory's screenplay were made during the filming; the screenwriter was not present at the shooting set.
Ivory said he got along with LaBeouf, who had read for the film in New York City, but the production company later felt the actor was unsuitable after his "various troubles".
Guadagnino was impressed by Armie Hammer 's performance in The Social Network , [11] [44] describing him as a "sophisticated actor, with a great range".
But there's no way I can't do this [film], mostly because it scares me so much. Edgar and Final Portrait In , Swardstrom—Spears' husband and agent—introduced Chalamet to Guadagnino, [11] [19] who immediately felt the actor had "the ambition, the intelligence, the sensitivity, the naivety, and the artistry" to play Elio.
Michael Stuhlbarg , who was cast as Elio's father, Mr. Perlman, [54] [58] did not read the book until he had already joined the production.
Perlman as having a "sense of generosity and love and understanding". Guadagnino chose Amira Casar , whom he had known for twenty years, for the role of Elio's mother Annella.
Capriolo, who was not an actor, was chosen to play Mafalda, the Perlmans' maid. So comfortable, not nervous at all. His wife was sitting there and said, 'I had no idea!
Hammer and Chalamet both signed contracts prohibiting the film from showing them with full-frontal nudity. Ivory, whose original screenplay contained nudity, was dismayed by the decision.
He criticized what he saw as an "American" attitude, saying, "Nobody seems to care that much or be shocked about a totally naked woman. It's the men.
The main location set for the Perlmans' residence was Villa Albergoni , an uninhabited 17th-century mansion in Moscazzano. Guadagnino did not want the film to be a period piece and tried to resist making a film that would reflect "our idea of the 80s".
His goal was an accurate recreation of the period that was invisible to the viewer. Di Modrone said, "That made it cozy and personal I wanted to give it the sense of time passing by".
The filmmakers set up faded political billboards in public places to reflect the Italian general election in [62] and re-created a newsstand full of magazines of that time.
Perlman's desk. Costume designer Giulia Piersanti avoided using period costumes; instead, she wanted to provide "a sense of insouciant adolescent sensuality, summer heat and sexual awakening" to the characters.
For Oliver's "sexy, healthy American" image, Piersanti referred to "some of Bruce Weber 's earliest photographs". Principal photography began on May 9, , and wrapped in June , [53] [71] [72] lasting around 33 days.
The arch of Torrazzo at Crema Cathedral and several historical locations in the streets of Crema and Pandino were chosen during production.
Before and during filming, the actors lived in Crema and were able to experience small-town life. Luca was able to look at me and completely undress me," Hammer said.
The Villa Albergoni. The arch of Torrazzo at the Crema Cathedral. The Piazza Vittorio Emanuele in Pandino. Cascate del Serio. The Station of Pizzighettone.
Guadagnino shot the film in chronological order, [31] [89] which allowed the filmmakers to "witness the onscreen maturity of both protagonist and actor", according to Fasano.
Perlman delivers an emotional speech to Elio was filmed on the penultimate day of filming. At the Piazza Vittorio Emanuele, [85] a memorial to the victims of the battle of the Piave in Pandino, [40] the filmmakers laid a long camera dolly track to film the scene where Elio tells Oliver of his feelings for him in a single long take.
This provided the flexibility and "flow of emotion" a cut scene could not. Sayombhu Mukdeeprom , who had previously collaborated with Guadagnino on Ferdinando Cito Filomarino's Antonia , served as the director of photography.
Guadagnino, who had previously worked with Laforce on A Bigger Splash , said he was "able to create a sort of Cathedral of sound without overwhelming the movie.
Fasano collaborated with Guadagnino during the post-production. Their first cut of the film ran three hours and 20 minutes long.
Several notable changes were made, or almost made, near the end of post-production. The monologue sequence with Elio's father once had piano playing beneath it.
The scene where the two protagonists bike to a courtyard almost failed to make the final cut after one of the producers said it was inconsequential.
There was a "well-acted" scene where Elio and Oliver were "teasing one another" under a lime tree, which the director felt was "too precious".
Guadagnino selected the music for Call Me by Your Name himself. Impressed by the lyricism of American songwriter Sufjan Stevens , [19] Guadagnino asked him to record an original song for Call Me by Your Name and to narrate the film from the perspective of Elio at an older age.
Surprised by the result, Guadagnino listened to them on-set with the actors and editor Walter Fasano. A soundtrack album was released in digital formats by Madison Gate Records and Sony Classical on November 3, , [] and in physical formats on November 17, Warner Bros.
Entertainment released the film in Italy on January 25, In the week ending November 30, , the song collected , on-demand streams, its biggest streaming week in the U.
Reaction to the advertisement on social media was somewhat negative, largely because of Sony Pictures' misleading use of an image of Chalamet and Garrel instead of a focus on the protagonists' relationship.
Ty Burr of The Boston Globe gave the film three-and-a-half stars, commended the director for "broaden[ing] his embrace of humanity while hitting new heights of cinematic bliss" and said that the film "may be a fantasy but it's one that's lovely and wise.
The Economist noted the tension "between pain and pleasure" in the film and praised Chalamet, saying that he "evokes so many shades of humanity, portraying a path of youthful self-discovery that is more raw, unhinged, and ultimately honest than many actors could manage".
It never gets over that hesitation. Thompson of Forbes criticized its length and called it an "excruciatingly boring travelogue".
In a series of articles regarding the best of the s in film , IndieWire ranked Call Me by Your Name as the 18th best film of the decade and Chalamet's performance as the 39th best acting performance.
Guadagnino has deliberated over the idea of a sequel since the film's premiere at Sundance, when he said he realized the characters "could go beyond the boundaries of the film.
Guadagnino said that in the sequel, "I don't think Elio is necessarily going to become a gay man. He hasn't found his place yet I believe that he would start an intense relationship with Marzia again.
Guadagnino has expressed interest in the politics of the s, saying, "It is the time of the fall of Communism and the start of the new world order and so-called ' end of history ' that Francis Fukuyama established then But I don't know how they're going to get a year-old [Chalamet]!
In January , Guadagnino revealed the sequel will be set "right after the fall of Berlin Wall and that great shift that was the end of So we are flirting with each other about the sequel but I don't know if we are very serious.
He expressed enthusiasm to reprise his role in the sequel, saying "I think it would have to be some kind of unique thing from what it was, but I would absolutely be game for trying.
In an interview for Time in October , Chalamet compared the sequel to Richard Linklater 's Boyhood and said that Hammer, Aciman and Guadagnino were all intended to return for the next film.
He described her character as "a New England kind of hoochie woman" who might also have children with Oliver. I didn't have space of mind and the real, actual time to put ideas on the table and think of things.
And so I think it's not the time to collect it and put it into a vase. In November , Ivory confirmed that he wouldn't return for the sequel and said that Aciman thought "it was not a good idea".
He also felt the potential sequel might not match the expectation, saying "It felt like a really perfect storm of so many things, that if we do make a second one, I think we're setting ourselves up for disappointment.
I don't know that anything will match up to the first I'm like, 'That was such a special thing, why don't we just leave it alone?
In March , Guadagnino confirmed a sequel film in an interview with Italian newspaper la Repubblica. He also stated in the interview that he was due to meet with an unnamed American writer to discuss the sequel, however it was postponed due to the COVID pandemic.
I haven't even read the book. I know Luca hasn't got a full script yet, although he knows what he wants to do with the story, so I don't know how similar or dissimilar it will be to Find Me the novel.
From Wikipedia, the free encyclopedia. Theatrical release poster. Entertainment Water's End Productions.
Pictures Italy Memento Films International worldwide. Release date. Running time. Italy United States France Brazil [2] [3]. English Italian French [4].
Grottoes of Catullus. Map of filming locations in Lombardy. See also: Find Me novel. Perlman's full name is mentioned in the film as Samuel Perlman.
I go back to Bordighera all the time". British Board of Film Classification. Archived from the original on 7 November Retrieved 4 November British Film Institute.
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There is a subtle beauty in letting two people find each other without forcing it. More from Hannah Bahl There are those rare films that suddenly make a very cold Berlinale You may also like.
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Andererseits flirten beide auch eine Spur zu offensichtlich mit Tolle Serien Mädchen. National Board of Review Awards Outside food and drinks will not be permitted. Unfortunately, without Harry Potter 7 Englisch mask we will not allow you to enter the screening. Troika-Karte: Jede 7. Dabei sind sie grundverschieden, nicht nur physisch. Retrieved January 28, Panorama in 25 Stunden Stream. Retrieved January 9, Pt Barnum Al-Jadeed. Archived from the original on September 19, A published October 23, Archived from the original on April 3, Archived from the original on October 1, Release date.
