Take Me Film Weitere Details
Der unerfahrene Unternehmer Ray Moody versucht, mit seiner Firma in Los Angeles durchzustarten. Die `Kidnap Solutions, LLC' hat sich in der Nischen-Branche spezieller alternativer Therapien für Entführungsfälle spezialisiert. Als er einen. Ray ist ein gewiefter Unternehmer, der als Geschäftsmodell sorgsam ausgearbeitete und präzise Geplante Entführungen anbietet. Doch als ihm ein. In der Krimikomödie Take Me gerät Pat Healy, der sich auf inszenierte Entführungen spezialisiert hat, mit Taylor Schilling an eine Klientin, die. Take Me. + 1 Std. 24 omz-foundry.eundent-Filme. Sein professionelles Entführungsunternehmen läuft nicht gut. Dieser Dieser Film ist Ausgefallen. Take Me. + 1 Std. 24 omz-foundry.euomödien. Sein professionelles Entführungsunternehmen läuft nicht gut. Dieser Dieser Film ist Ausgefallen. Audio. Take Me [OV/OmU] How she masters her facial expressions is beyond me! Der Film ist merkwürdig, spannend, witzig und auf jeden Fall was für jeden, der. Take Me: Ein Film von Pat Healy mit Taylor Schilling und Pat Healy. Weitere Informationen zu diesem und anderen Filmen auf omz-foundry.eu!
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Kingsman: The Golden Circle take me homeTake Me Film Aktuell im Streaming:
Alycia Delmore. Logan Lucky. Trending: Meist diskutierte Filme. Heather McIntosh. Netflix unterstützt die Prinzipien der Digital Advertising Alliance. Sein professionelles Entführungsunternehmen läuft Fifty Shades Of Grey Streamen gut. Die jungen Täter waren alle in die spanische Gesellschaft integriert. Nutzer haben sich diesen Film vorgemerkt.
Der/die Film Take Me erschien und dauert 84 Minuten. In dieser düsteren Komödie ist Healy Regisseur und Schauspielkollege von Taylor Schilling. Staffel 1 - Vol.2 - [DVD] "Take Me" has some similarities with Charles Hood's film "Night Owls," an extremely entertaining story about two. Kinostart: (Weltpremiere). Regie: Pat Healy. Drehbuch: Mike Makowsky. Darsteller: Taylor Schilling, Pat Healy, Alycia Delmore, Jim O'Heir, Brooke. Daar houd ik wel van. Nashville Film Festival Kinos,To. Bootstraps [7]. Edit page. Robert Kojder. After she leaves, Ray hears on the news the police are investigating Anna's disappearance. Te midden van lethargische toeristen en corrupte politici groeien de drie steeds verder naar elkaar toe. Lees verder Dylan Sprouse Moviemeter. Lees verder op Moviemeter. Lees verder op IMDB. Alycia Delmore 1. Brooke Dillman 2. Jim O'Heir 2. Mark Kelly 3. Pat Healy 4.
Taylor Schilling 4. Toby Huss 3. Pat Healy. Nieuwe releases per e-mail? Armed with Tom's rifle, Anna takes Ray hostage, threatening to shoot him unless he submits to riding in her car's trunk, a punishment he had subjected her to several times.
At the end of the ride back to the city, Anna happily thanks him for the experience and offers to invest in his business, revealing to the audience and Ray that she was indeed a willing participant the whole time.
Stunned, Ray can only mumble a response before he stumbles back home to see Stuart in a restaurant.
As Stuart waves at him, Ray cries, then laughs when he sees Stuart is eating a salad. The role of Ray Moody was written with Pat Healy in mind.
Healy brought the script to producers Jay Duplass and Mark Duplass , who agreed to finance and co-produce alongside The Orchard and Netflix.
Production took place in Glendale, California and Crestline, California over the course of eighteen days. Sheila O'Malley of RogerEbert. Neil Genzlinger's review in The New York Times was more tepid, claiming that "parts of it work, but the overall package is never really suspenseful enough to have you on edge or overtly funny enough to be a lark.
From Wikipedia, the free encyclopedia. Take Me Theatrical release poster. Mel Eslyn Sev Ohanian. Taylor Schilling Pat Healy.
Duplass Brothers Productions. Release date. Running time. Box Office Mojo. Retrieved May 9, Deadline Hollywood. Retrieved May 8, Retrieved March 2, Tribeca Film Festival.
Retrieved April 7, Retrieved March 6, Een redelijke film. Ik houd meer van films die wat rauwer en echter zijn wat dat betreft. Het voelde te onnatuurlijk en afstandelijk aan.
Het is een beetje een roadmovie. Daar houd ik wel van. Ik vind deze film echter niet bijster interessant en ik vond het lastig om geconcentreerd te blijven kijken.
Een kleine voldoende. Drulko Vlaschjan. Behoorlijk enthousiast zelfs. Misschien omdat het allemaal zo willekeurig is. De sfeer en de beelden bevielen mij wel en hoewel ik niet echt het idee had dat het ergens heen ging en er ook niets wezenlijks uit heb weten te halen, heb ik mij uitstekend vermaakt.
Dat is ook wat waard. Sensuele, cinematografisch zeer boeiende road movie. Kleurrijke beelden met grappige en absurde momenten. De jeugd is bijna tastbaar.
Voor de arthouse fans. Daarbij gaat er van alles mis, waar niemand zich verder druk over maakt. Dat doe ik dan ook maar niet.
Een rare film zonder kop of staart en weinig vermeldenswaardig daartussenin. Take Me Somewhere Nice is een film met wat thema's die nergens echt van de grond komen.
Hierdoor is het wat rommelig en weet je eigenlijk niet wat je zit te kijken. Soms wil dit best eens lukken, maar mij was deze film zo onafgemaakt dat het me afhoudt om het te kunnen waarderen.
Als ein neuer Klient Ray für ein Wochenend-Kidnapping kontaktiert, ist er sofort bereit, seine Dienste erneut anzubieten, denn der geheimnisvolle Kunde verspricht eine stattliche Summe für seine Mühen. Am The Wanninkhof Case. Netflix Netflix. Listen Briana Cuoco Take Me.
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Wie konnte so etwas nur Streamer Showdown Weitere Film-News. Netflix und Drittanbieter verwenden Cookies warum? Home Filme Take Me. Netflix unterstützt die Prinzipien der Digital Advertising Alliance. Taylor Schilling 2. Weitere Hitcher Der Highway Killer Uncut. Der Diamantencop. When a familiar-looking stranger crashes in without a memory, Cory helps him remember the magic of Christmas to save the holiday for everyone. Pat Healy. Leider muss Ray feststellen, dass der Schein trügt. Alejandro Patino. Eternal Love A good hostage is hard to find. Kenny Sebastian gebruikt zijn muzikale talent met stand-up om truttige schoenen, vogels die niet kunnen vliegen en Moneylove angst om niet grappig genoeg te zijn, te analyseren. De soundtrack met de trombones lijkt weg gelopen uit desperate house wifes. After the eight-hour session ends, Stuart thanks Ray and asserts that he has lost his appetite for hamburgers. She knocks him unconscious with a fire poker.The Orchard. Taylor Schilling Anna St. Pat Healy Ray Moody. Alycia Delmore. Jim O'Heir. Mark Kelly. Pat Healy Director. Mike Makowsky Screenwriter.
Mel Eslyn Producer. Sev Ohanian Producer. Jay Duplass Executive Producer. Mark Duplass Executive Producer. Nathan M. Miller Cinematographer.
Brian Scofield Film Editor. Heather McIntosh Original Music. Angel Herrera Production Design. Guardians of the Galaxy Vol.
May 6, Full Review…. May 5, Rating: 3. May 4, Full Review…. May 3, Full Review…. April 28, Full Review….
September 24, Rating: 2. June 1, Full Review…. View All Critic Reviews Dec 29, Honestly keeps you wondering even while the credits roll.
And while Take Me might not be great, it's a rare movie that can do that. Gimly M Super Reviewer. Sep 03, For a short running it does full a hell a lot longer!
Film C Super Reviewer. Jul 09, I've often wondered, if I ever made a film, what it would look like. I mentioned this in my review of The Sighting some months ago review I may post on Letterboxd, who knows?
I came to the conclusion that it'd probably be a terrible movie, but one that I would make with a lot of love. Now that we've discussed that, however, I've also wondered what actors I would cast in which roles.
If I made a career out of this, I'd want to work with a bunch of the same people. One of those people that would always find his way into one of my movies in my hypothetical scenario where I'm a world-famous filmmaker would be Pat Healy.
Pat is such a damn great character actor and he is, pretty much, able to do absolutely anything you give him.
I think that range is what makes him so valuable to independent filmmakers. They know that they can push him into different, unexplored areas for him at least and that he'll always deliver the goods.
I was interested in this movie mostly because of its concept, it's pretty damn good, a fake kidnapping business meant to help people with whatever issues they may be facing.
I felt that this concept would make for some interesting scenarios between Ray and the woman who hired him to kidnap her for the entire weekend.
Pat Healy has worked with a whole host of independent filmmakers, so I'm sure he's obviously has learnt a lot throughout the years to help him make this flick.
As far as what I thought about the movie, eh, I don't know. Don't get me wrong, I would say that this was a pretty good little movie.
Pat Healy and Taylor Schilling are pretty damn great together and, if anything, they are responsible for pushing this film into the good category. The problem I seem to have is that, with a concept as intriguing as this, the film ends up feeling a little tame when you think about how far they could have actually taken things.
It's certainly a bit self-referential. Not that they make comments about the situation they're in. What I mean is that these two people, at least initially, are very clearly pretending to play these roles that have been designed for them by Ray.
I think this is where the film really is at its funniest. The situation becomes a bit complicated once Ray realizes that Anna has been set-up by someone else.
Anna is a top executive at the company she works for and she was meant to deliver a keynote speech at this event, so people are certainly gonna notice if she goes missing.
This is where the film loses a little bit of steam. Not that it's ever bad, but, as I mentioned earlier, the concept is ripe for craziness.
Particularly if you start involving other people into the film. And I get that the film wanted to focus on these two characters and how the dynamics change once Ray realizes that he's in over his head with this situation.
Another problem I felt was the fact that, even as things change and Ray finds himself in situations he didn't anticipate, it never once feels like Anna is genuine about what she's saying, that someone set them up.
It always feels like Anna just really wanted the complete and total experience of what it would feel like to be kidnapped.
The story wants to play with those concepts, in that you don't know who to believe or if Anna is sincere or not, but I never once bought into it.
And I think that's really the main problem. I was never convinced that any of this was anything other than just a simulation.
A simulation that, really, Anna was in control of the entire time, but a simulation nonetheless. Maybe it worked for other people, but it just didn't do much for me.
I do like the characters and, again, how the dynamics shift with the role reversal at the end and whatnot.
The characters are very well-written and, as I already mentioned, Pat Healy and Taylor Schilling are great together. I just wish they embraced the craziness that they could have drawn from this concept a bit more.
I don't wanna say that the pacing drags, since this is only 80 minutes long, but there are some scenes that could have been shortened up.
Don't really have anything else to say, honestly. This is a good movie, yes, and it's another feather in the cap of Netflix since they get another quality movie for their site.
But it's a movie whose flaws keep it from fulfilling its full potential. Though I'm able to overlook a lot of those flaws since this is Pat Healy's directorial debut.
He will only get better with his next film and I eagerly look forward to what he has in store for us next.
In all, I thought this was good, but I wasn't in love with it. Jesse O Super Reviewer. See all Audience reviews. There are no approved quotes yet for this movie.
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No Score Yet. Truth Seekers. Een beetje weird maar wel vermakelijk. Het pretendeert nergens meer te zijn dan het is en dat maakt dat de film gewoon lekker wegkijkt.
De speelduur is gelukkig ook erg kort zodat het allemaal bij de basis blijft en geen onnodige zijpaden worden bewandelt.
A good hostage is hard to find. Hier kan ik weinig mee. Vergezocht verhaal, op momenten pijnlijk ongrappig, weinig spanning en twists in het verhaal die je van ver ziet aankomen.
Leuk concept, maar in de handen van regisseur en hoofdrolspeler Pat Healy wordt het al snel een saaie bedoening. Zeker omdat Healy zelf als acteur ook erg saai is.
Lichtpuntje is Schilling, die nog wat leven in de brouwerij brengt. Apart verhaal maar extreem saai gebraxht. Veel gepraat en verder is het weinig interessants.
Een wat vreemd concept maar zeker wel origineel, en daar hou ik wel van. Simpel maar doeltreffend. Grappige humor en de cast speelt ook leuk. Schilling is trouwens ook geen straf om naar te kijken.
Ik vond het verfrissend en heb me hier prima mee vermaakt. Een niet bijster goed regie debuut van Pat Healy , die tevens de hoofdrol speelt.
De soundtrack met de trombones lijkt weg gelopen uit desperate house wifes. De locatie's zijn ook niet erg divers , waardoor het een soort toneel stuk vibe krijgt.
Taylor Schilling is prima in haar rol , en Healy doet het ook aardig. Film begint wel leuk, al voel je die twist halverwege van kilometers ver al aankomen.
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