
Wong Kar Wai Nächstes Video
Wong Kar-Wai ist ein Drehbuchautor, Filmproduzent und Filmregisseur aus Hongkong. Der Autorenfilmer ist bekannt für eine spezielle, erlesene Ästhetik bei Bild, Licht und Rhythmus, die auf asiatische und andere zeitgenössische Filmemacher großen. Wong Kar-Wai (chinesisch 王家衛 / 王家卫, Pinyin Wáng Jiā Wèi, Jyutping Wong4 Gaa1wai6, Yale Wòhng Gà Waih, * Juli in Shanghai) ist ein. (Alternativtitel: – Der ultimative Liebesfilm) ist ein Melodram aus dem Jahr von Regisseur Wong Kar-Wai, der auch das Drehbuch schrieb und. Wong Kar-Wai hat angekündigt, dass es sich bei seinem nächsten Film Blossoms um den letzten Teil seiner mit In The Mood. Vogue taucht ein in die ikonische Bildsprache des chinesischen Kultregisseurs Wong Kar-Wai, die seit Jahrzehnten die Vorstellungskraft der. Ist "" einer der besten Filme von Wong Kar-Wai? Entdecke die besten Filme von Wong Kar-Wai. Wong Kar-Wai ist ein chinesisch Regisseur, Drehbuchautor. Entdecke seine Biographie, Details seiner 32 Karriere-Jahre und alle News.

This type of journey, my grandfather said, was the equivalent of "driving around the block backward to get to the house next door. An ad hoc bunch of 51 online movie enthusiasts online movie critics, bloggers, et al.
Eduardo as he might be known in, say, Mexico or Spain or Uruguay or Nicaragua or Puerto Rico took on the gargantuan task of tabulating the ballots and coming up with the initial list of nominees.
As he explains: I set a few guidelines for eligibility: 1 No film more recent than was eligible; 2 They had to be feature length; 3 They had to have been made either mostly or entirely in a language other than English; 4 Documentaries and silent films were ineligible, though I made do lists for those in the future if this goes well.
In all, films received votes, not counting those that had to be disqualified for not meeting the criteria. In order to make the final ballot, films had to receive at least three "votes.
Best of all, the list serves as a reminder that the vast majority of these films, available on DVD, are easier to see now than they have ever been since they were made!
Most are just as easy to borrow from NetFlix as "Wild Hogs. For my Own Personal List, and some observations about the preliminary results, click to continue Meanwhile, if any of the participants -- or any readers -- would like to publish their own lists, please feel free to do so in comments!
I'll show you mine if So far this year it has been 'Breathless,' but now it is time for another blast of trumpets. The plot, such as it is, will infuriate audiences who still demand plotted cinema and potted climaxes.
A group of bored Italian socialites disembark from their yacht on a deserted island. After wandering about a while they discover that one of their number, a perverse girl named Anna, is missing.
Up to that time, Anna Lea Massari has been the protagonist. Not only does she never reappear, the mystery of her disappearance is never solved. The film ends on a note of further betrayal and weary acceptance, with the two lovers facing a blank wall and a distant island, both literally and symbolically.
So when exactly did I tire of Antonioni to the point of Antonioniennui? I am not sure. It may have been about the time of "The Red Desert" , which I disliked, and well before "Blow-Up" , which I liked enormously, unlike the late Pauline Kael, who dismissed it with a yawn.
Whose films today spark similar sensations, and love-or-hate debate? Living directors about whom your opinion really seems to matter, whose films are considered "must-sees" by serious moviegoers?
The Coens? Quentin Tarantino? Brian DePalma? Steven Soderbergh? I'm asking. I don't think film festival mega-stars like Lars von Trier or Abbas Kiarostami or Wong Kar-Wai are nearly well-known or influential enough to have this kind of impact, on movie fans in general or on other filmmakers.
Are any of the candidates European? Then again, could a television comedy show as smart and aware of the diversity of culture and pop culture as "SCTV" exist today?
Actually, such a thing did exist not all that many years ago on HBO: "Mr. Show with Bob and David. Cast and Crew Wong Kar-Wai.
The Grandmaster Steven Boone. Ashes of Time Redux Roger Ebert. My Blueberry Nights Jim Emerson. Eros Roger Ebert. In the Mood for Love Roger Ebert.
Fallen Angels Roger Ebert. Chungking Express Roger Ebert. Give Feedback External Websites. Let us know if you have suggestions to improve this article requires login.
External Websites. Erik Gregersen Erik Gregersen is a senior editor, specializing in the physical sciences and technology.
See Article History. Britannica Quiz. Ready, Set, Action! Get exclusive access to content from our First Edition with your subscription.
Subscribe today. Learn More in these related Britannica articles:. In the s filmmaker Wong Kar-wai drew international acclaim for the Hong Kong style with a series of films made with the Australian cinematographer Christopher Doyle.
Their bright palette and swift cutting and camera movement were on display in such works as A-Fei zhengzhuan ; Days of Being Wild ,….
History of the motion picture , history of cinema from the 19th century to the present. Retrieved 27 January Bomb Magazine. Retrieved 25 January Internet Movie Database.
Retrieved 2 September Retrieved 3 September Asia Studios. Archived from the original on 29 December Retrieved 9 September Retrieved 24 September Festival de Cannes.
Internet Moview Database. British Film Institute. London Net. Retrieved 28 October Rotten Tomatoes. The Boston Globe. Los Angeles Magazine.
Archived from the original on 22 February Retrieved 28 October — via HighBeam Research subscription required. Retrieved 29 October Archived from the original on 6 May Retrieved 6 November The Diva Review.
Retrieved 28 November The Hollywood Reporter. Slant Magazine. Academy Awards. Retrieved 29 November Box Office Mojo.
The Guardian. Retrieved 6 May Retrieved 7 May Retrieved 17 November The Film Stage. Retrieved 2 January The Playlist.
Retrieved 16 March Big Fan Boy. Retrieved 24 February Archived from the original on 4 July Hong Kong Film Awards Association. Retrieved 21 November Archived from the original on 19 August Retrieved 2 March Wall Street Journal.
Retrieved 11 May Bettinson, Gary Biancorosso, Giorgio In Kam, Louie ed. Hong Kong Culture: Word and Image. Brunette, Peter Wong Kar-wai. Cui, Mengyang Boca Raton: Universal Publishers.
Dissanayake, Wimal Wong Kar-wai's Ashes of Time. Kemp, Philip ed. Cinema: The Whole Story. Chicago: Intellect Books. Martin, Daniel In Leung, Wing-fai; Willis, Andy eds.
East Asian Film Stars.
In this volume, the first on his entire body of work, Wong Kar Wai and writer John Powers explore Wong's complete oeuvre in the locations of some of his most. Wong Kar-Wai (Contemporary Film Directors) | Brunette, Peter | ISBN: | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch. Hier finden Sie alle News und Hintergrund-Informationen von ZEIT ONLINE zu Wong Kar-wai.Wong Kar Wai - Main navigation
September , in Deutschland am Job : Regisseur, Produzent, Drehbuchautor. William Chang. Namensräume Artikel Diskussion.Festival de Cannes. Internet Moview Database. British Film Institute. London Net. Retrieved 28 October Rotten Tomatoes. The Boston Globe.
Los Angeles Magazine. Archived from the original on 22 February Retrieved 28 October — via HighBeam Research subscription required.
Retrieved 29 October Archived from the original on 6 May Retrieved 6 November The Diva Review. Retrieved 28 November The Hollywood Reporter.
Slant Magazine. Academy Awards. Retrieved 29 November Box Office Mojo. The Guardian. Retrieved 6 May Retrieved 7 May Retrieved 17 November The Film Stage.
Retrieved 2 January The Playlist. Retrieved 16 March Big Fan Boy. Retrieved 24 February Archived from the original on 4 July Hong Kong Film Awards Association.
Retrieved 21 November Archived from the original on 19 August Retrieved 2 March Wall Street Journal. Retrieved 11 May Bettinson, Gary Biancorosso, Giorgio In Kam, Louie ed.
Hong Kong Culture: Word and Image. Brunette, Peter Wong Kar-wai. Cui, Mengyang Boca Raton: Universal Publishers.
Dissanayake, Wimal Wong Kar-wai's Ashes of Time. Kemp, Philip ed. Cinema: The Whole Story. Chicago: Intellect Books.
Martin, Daniel In Leung, Wing-fai; Willis, Andy eds. East Asian Film Stars. New York: Palgrave Macmillan. Nochimson, Martha P. World on Film.
Schneider, Steven Jay ed. London: Quintessence. City on Fire: Hong Kong Cinema. London: Verso. Stringer, Julian In Tasker, Yvonne ed.
Fifty Contemporary Filmmakers. Filmography Awards and nominations. Categories : Director filmographies Chinese filmographies. Namespaces Article Talk.
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Add links. Final Victory. Flaming Brothers. Return Engagement. The Eagle Shooting Heroes. This is a side of cinema not as visible to the public, but just as important.
Here the new blockbusters and indie sweethearts of next year are seeded and funded. The Tuscan textures are ravishing it takes place over the course of an afternoon in and around the village of Lucignano -- or does it?
I was fearing one of those overly literalized Kiarostami "button" endings, but this time as Michael Sicinski observes in his impressive, ambitious essay at MUBI , the thesis statement is placed at the front of the film and it gets slipperier from there:.
Kiarostami's film presents a concept, fully formed and cogent, and allows the rest of the film to set to work on that concept, breaking it into Heisenbergian particles, then bringing it back into solid shape, and on and on.
And that's the fun of it. To be fair, Thomson broke faith with or has been suffering a crisis of faith in American movies at least far back as "Overexposures: The Crisis in American Filmmaking" , and he's been writing about his crisis ever since.
To put it in a sentence that could serve as the ending of one of his entries: I am willing to believe that he loves or once loved movies even if he doesn't like them very much.
Wait -- how does he conclude the Katharine Hepburn piece? When I encountered the first edition of this book, the year I entered college, I immediately fell in love with it because it was not a standard reference.
It was personal, cranky, eloquent, pretentious, pithy, petty, ambitious It was, as I think Thomson himself suggested in the foreword to the first or second edition this is the fifth , more accurately titled "An Autobiographical Dictionary of Film.
What, they would ask, is the "value-add"? Some people used to talk that way. As a reference, its coverage is too spotty Ephraim Katz's Film Encyclopedia is much more comprehensive but also has loads of incomplete filmographies , as criticism it's wildly idiosyncratic nothing wrong with that and as biography it's whimsically selective and uneven, leaving as many holes as it fills.
Now I have to go read about who some of these experimental filmmakers are. I did find some Craig Baldwin movies on Netflix, actually Srikanth Srinivasan of Bangalore writes one of the most impressive movie blogs on the web: The Seventh Art.
I don't remember how I happened upon it last week, but wow am I glad I did. In the section called "The Cinemaniac I found the above collage mosaic?
Many of them looked quite familiar to me, and if I'm not mistaken they were among the biographical portraits we used in the multimedia CD-ROM movie encyclopedia Microsoft Cinemania, which I edited from to , first on disc, then also on the web.
Anybody with a copy of Cinemania able to confirm that? My Mac copy of Cinemania97 won't run on Snow Leopard. Call us provincial -- David Lynch's psychoerotic noir is one of the essential L.
Famously salvaged from a rejected TV pilot, Lynch's film stands as both a cautionary tale and a mascot for the triumph of art and personal vision in an industry that, from where we sit, often seems actively devoted to the suppression of both.
Ow, my brain hurts. So, let's just get these out of the way, shall we? Meanwhile, Film Comment polled another big batch o' crix a lot of the same ones, in fact and came up with a somewhat different 20 Best of list -- and Best Films of the Decade topped by Just for fun, let us compare the two groups' Top Dozen for both year and decade:.
All lists of the "greatest" movies are propaganda. They have no deeper significance. It is useless to debate them. Even more useless to quarrel with their ordering of titles: Why is this film 11 and that one only 31?
The most interesting lists are those by one person: What are Scorsese's favorites, or Herzog's? The least interesting are those by large-scale voting, for example by IMDb or movie magazines.
That one at least has taken on a canonical aspect. The list evolves slowly. Keaton rises, Chaplin falls. It is eventually decided that "Vertigo" is Hitchcock's finest film.
Ozu cracks the top ten.
Und doch zelebriert er den nostalgischen Blick zurück auf eine derart kompromisslose, leidenschaftliche Weise, dass man noch Bad Cop Rtl nach dem Kinobesuch eine gewisse Verachtung für all die albernen, glücklich funktionierenden Lieben der Gegenwart empfindet. Fallen Angels. Als er es verlässt, bemerkt er die Zimmernummer Dass beinahe noch rigoroser kadriert scheint, verdankt sich nicht zuletzt dem Cinemascope -Format. Chow erklärt, er werde es versuchen.